UXmatters has published 17 editions of the column More Than Words.
To know your content is to love it. Content analysis is an essential part of many UX design projects that involve existing content. Examples of such projects include migrating a Web site to a new platform or design, merging multiple Web sites into one, or assessing Web content for reuse in a new channel. Just as you cannot nurture a garden without regularly inspecting its plants and flowers, you cannot take proper care of your content without looking at it closely. You must become familiar with your content to judge whether it’s effective, understand how it relates to other content, make decisions about how to use or format it, identify opportunities for improving it, and more. Content analysis, though time consuming, is fruitful, because your efforts provide the following benefits:
In this column, I’ll walk you through a content analysis—and offer tips and tricks along the way that will help make your next content analysis more effective. Read More
How do we know whether content is any good? This simple question does not have a simple answer. Yet, I think having a good answer would help us show our employers and clients why their content needs to improve and how their content compares to the competition’s. As a start toward an answer to this question, I offer a set of content quality checklists for seven different lenses through which we can view content. I see these checklists as the groundwork for content heuristics, which would enable us to do heuristic evaluations and competitive analyses efficiently. With good content heuristics, we could make a case for better content without painstakingly doing an analysis of all of the content up front. Imagine, making a case for better content quality in a few hours instead of a few weeks.
Many interactive projects address content quality only through a style guide. A style guide is helpful, but it isn’t enough. One problem is that a style guide often emerges at the end of an interactive project, capturing how a team handled certain content issues and how they intend to handle them moving forward. That doesn’t help much during the project. Another problem that often occurs is a company neglects maintenance of the style guide going forward. (For information about living style guides, read Letting Go of the Words by Ginny Redish. [1]) Finally, many Web style guides I’ve encountered address word choice, brand voice—and that’s about it. The scope of content quality is much broader. Read More
“An idea is a feat of association, and the height of it is a good metaphor.”—Robert Frost
Metaphor teaches. Metaphor influences. Are you drawing on its power? Perhaps not, because many major works on writing for interactive products make little mention of it. To help encourage better use of metaphor, this column describes both the usefulness of shallow metaphors and the potential of deep metaphors, while offering tips and examples.
As Merriam-Webster notes, a metaphor is a rhetorical device “in which a word or phrase literally denoting one kind of object or idea is used in place of another to suggest a likeness or analogy between them.” You may be familiar with metaphor from literature, cinema, or even advertising. You might have pondered interaction metaphors such as the desktop metaphor. Or perhaps you’ve given up on using metaphor in the wake of the book Killer Web Sites, which touted creative navigation metaphors with little regard to their usability. While I consider usable navigation and interaction metaphors important, I think other people have covered those topics well. This column focuses on text and visual metaphors in content and explores how deep metaphor can be useful in mental models as well as content, user experience, and product strategy. Read More